Ticket and event info: https://thestateroompresents.com/state-room-presents/jade-bird

https://www.thehogwallow.com/

https://www.thecomplexslc.com/

https://www.livenation.com/venue/KovZpZAJk7IA/the-depot-events

About Jay Barnson's The Vanished series: As a teen, Aiden Holt studied stories of unexplained disappearances throughout history. He never dreamed he would become one of those disappearances. Now trapped in an alien world, hunted for his non-functional “special abilities,” Aiden fights to survive against horrific creatures and determined enemies. Somewhere between certain death and servitude, Aiden seeks an escape—if he can find other “vanished” who beat the odds and survived in this harsh magical world. About Cambria Williams's The Befallen: Sloane, sheltered yet persistent, believes she's capable, and longs for everyone to see past her disabled leg. Selling at Market Day unaccompanied is the chance to prove herself. But when she returns home to her village, she's shattered to discover the Befallen have killed everyone. Having nothing but her faith in the goddesses of the moon, she's forced to test her strength in the outside world. Sloane realizes the kingdom is dangerous even without the Befallen: full of thieves, thugs, and, worse, heretics. Sir Tolvar, a banished, famed knight, wrestling with the demons of his past, is skeptical. He's reluctant to let Sloane join their cause until she convinces him that faith carries its own power. As the two uncover the mysteries surrounding the Befallen-growing steadily stronger-an impossible task is thrust upon Sloane that makes her question everything. About Jana Brown's Fallen Stone: Misery died so she could save the world. That’s what they told her. Turns out they lied. She was once a holy warrior with a noble cause. Now she’s using her earth magic to scrape by, meal to meal, motel to motel, city to city, one step ahead of those who call her traitor. Her jobs aren’t glamorous, but in the end, beggars can't be choosers and work pays the bills. Denver was supposed to be just one more stop over. But between an overly enthusiastic roommate, a gorgeous healer, and a challenging – not to mention lucrative – job for the Chimera Lord of Denver, Misery isn’t finding it easy to leave. When she discovers the lesser fae are going missing, Misery finds a new cause, a paycheck and many reasons to stay. She just hopes pursuing them won’t get her killed…again. ​Please help us welcome authors Jay Barnson, Jana Brown, and Cambria Williams to The Printed Garden to read from and sign copies of their books. This event will begin at 7:00 p.m.

https://www.kilbycourt.com/

https://www.livenation.com/venue/KovZpZAJk7IA/the-depot-events

https://www.theurbanloungeslc.com

https://www.thecomplexslc.com/

Daniel Young is a singer-songwriter, guitarist, drummer, sound engineer, and producer from Salt Lake City. He grew up on the side of a tall mountain, and that sense of forceful elevation informs all of his work. Daniel's been recording and performing for over two decades—and he's not that old, which tells you much of what you need to know about his commitment to craft, about how deep this runs with him. Who knows? On his soul-stretching, sometimes anguished fourth album, Leave It Out to Dry, Daniel Young finds his way to this question, over and over again. Through a heady stew of psych cowboy laments, Dead-style sideways rambles, and sagebrush pharmaceuticals, Leave It Out to Dry is Young's rawest, most expansive adventure yet. The medium matches the message: Young is looking at the great beyond; Young's music is becoming the great beyond. And, like the man said, sometimes when you stare into the abyss, it returns your gaze. Or sometimes, Young seems to acknowledge, you sing to it and it sounds back. The familiar influences are still there—country and western, early-70 r-&-r, observational songwriting á la John Prine—but they are filtered through something gnarlier, more unsettled. In other words, there's an urgency and a ragged edge to many of the cuts here that feels like a breakthrough. "Here Comes the Flood," for instance, finds Young at the edge of a new territory—sonically, spiritually—reaching outward, still reaching. Or the twin-guitar-lead, heavy-mic-bleed of "Help Us Get Along," a horn-driven plea that charges toward solace. Tracked mostly live in the basement of Orchard Studio, Leave It Out to Dry adds another length to the winding track of American song and sound that Young has been building for over half his life.

Ticket and event info: https://thestateroompresents.com/state-room-presents/daniel-young-x-hollering-pines